Manuale d’uso / di manutenzione del prodotto eos5d del fabbricante Canon
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WHITE P APER THE CANON E OS 5D MARK II CAMERA: HIGH PERFORMANCE FOR HIGH EXPE CT A TIONS THE CANON E OS 50D CAMERA: UNPRE CEDENTED FLEXIBILIT Y OF DIGIT AL PHO T OGRAPHY.
I. O ver vie w 4 II. Summar y of New and Improved F eatures 8 EOS 50D vs. EOS 40D 9 EOS 5D Mark II vs. EOS 5D 10 EOS 5D Mark II vs. EOS-1Ds Mark III 11 III. V ideo Recording on EOS 5D Mark II 13 F eatures and Benefits 14 P ositioning 16 T ech Info 18 T echnology Highlight - New V ideo Shooting Capabilit y 19 IV .
VI. Intelligent Bundled S of tware 46 New F eatures in EOS Utility and DPP 47 VII. New Accessories and L enses 48 Batter y Grips 49 Wireless F ile T ransmitters 50 EF 24mm f/1.4L II USM lens 51 EF-S 18-200mm f/3.5-5.6 IS lens 52 VIII. Specificat ions 54 EOS 50D 55 EOS 5D Mark II 60 E F 24mm f/1.
4 I. O VERVIEW.
Great photographers know that one of the secrets to captur ing exceptional photos is to match the camera, lens, and accessories to the photo assignment at hand. But budget also plays an important role in maintaining a competitive advantage, especial ly for advanced and semi-professional photographers fighting for the recognition they deser ve.
The EOS 5D Mark II camera breaks new ground for a full-frame DSLR. It shar es 80% of it s features with the EOS 5D , and 10% with the flagship Canon EOS-1Ds Mark III (including a F ull-frame 21.1-megapixel sensor and bright, full coverage optical viewfinder).
Both EOS cameras offer Q uick and Live AF modes that work in Live Vie w mode, including a Face Detection AF mode that optimizes exposure and focus for a selected face. F aster AF speed and tracking is possible when using the vie wfinder in either camera.
8 II. SUMMARY OF NEW AND IMPRO VED FEA TURES.
EO S 50D vs. EO S 40D • 15.1 Meg apixel CMOS sensor (APS-C size) with improved microlens design for superior image quality • Advanced DIGIC 4 Image Processor for faster image processing and writing • Approx.
EO S 5D Mark II vs. EO S 5D • Accepts optional Batter y Gr ip BG-E2N with capabilit y to house 2 BP-511A lithium-ion batteries or 6 AA/LR-6 batteries (same as EOS 40D) • Compatible with compact Wi.
EO S 5D Mark II vs. EO S-1Ds Mark III • Improved AF sensor with 9 visible and 6 invisible assist AF points now automatically cor- rects for shifts in focus due to different light sources • AF Micr.
• F eatures normal ISO range from 100–6400, expanded ISO range from ISO 50 to 25,600 • EOS 5D Mark II’ s 3.0-in. LCD has higher 920,000-dot r esolution and added coatings for smudge resistance and lo w reflectance • Image processing features include P eripheral I llumination Correction and Auto Lighting Optimizer 12 II.
13 III. VIDE O RE C ORDING ON E OS 5D MARK II.
The EOS 5D Mark II’ s Full High Definition (HD) video recording and playback functionality is creating a paradigm shift in the way still photographers and videographers approach their craft.
to the fully z oomed-in focal length on most camcorders. And few video c ameras in existence can match the narrow depth of field of Canon ’ s EF 85mm f/1.
Positioning In order to view 100% of the scene while recording in 16:9 ratio HD or 4:3 ratio SD, the camera automaticall y adjusts the LCD display to the proper aspect ratio with unused portions of the normal 3:2 aspect ratio still image area partial ly grayed out.
Photojour nalists: The market for high-resolution video news footage and for expanded web video coverage of news events c an increase the commer cial possibilities for traditional still ph otographers at news or spor ting events.
T ech Inf o Video resolut ion: Capture F ull HD videos (1920 x 1080 pixels) at 30 fps with mono sound (from camera) or stereo sound (from compatible external audio source). Captures standard SD videos (640 x 480 pixels) at 30 fps. V ideo recording format: MO V using MP EG-4 compression (H.
19 III. VIDE O RE C ORDING ON E OS 5D MARK II New V ideo Shooting Capability Still photographers who also need to capture motion picture video will find the video recording capabilities of the EOS 5D Mark II highly useful, often eliminating the need to carr y a sep- arate camcorder .
20 IV . PERFORMANCE AND RELIABILIT Y.
EOS 5D Mark II’ s new 21.1-megapixel full-frame CMOS sensor: The advanced single-plate CMOS sensor in the EOS 5D Mark II achieves the highest performance of any sensor in the Canon DSLR lineup. It shares many traits with the CMOS sensor found in the flagship EOS-1Ds Mark III, including its 36mm x 24mm (35mm format) siz e, approximately 21.
advances and technolog y improvements to the sensor , plus countermeasur es that help suppress noise from other camera circuits, are responsible for the sensor’ s high signal to noise ratio , enabling higher ISO speeds and improved dynamic range at low ISOs.
EOS 40D Photodiode EOS 50D EOS 50D Gapless Microlenses Several optic al and electronic technology advancements debut in the EOS 50D’ s CMOS sensor . F or star ters, a new micro manufacturing process was used in the CMOS semico nductor production phase to incr ease the light-sen sitive photodiode area.
2) Higher speed image processing (1.3x faster than on the DIGIC III) that also provides superb tonal gradations during the 14-bit A/D conversion of RA W data (16,384 per channel of RGB data compar ed to 4,096 per channel in competitive 12-bit processors).
RA W, sRA W and RA W+JPEG T o control image resolution and file size or to preser ve RA W data, both cameras offer six choices for JPEG capture: Large (full) resolution in with fine quality or normal .
Additional sRA W formats with lower resolution allow you to shoot images for use on the web , or increase the number of RA W photos you can fit on a memor y card, without sacrificing the post processi.
On both the EOS 50D and the EOS 5D Mark II, you access High ISO noise controls via (C.Fn II-2). There are four settings: Standard, Low , Strong and Off (the default is Standard). On either camera, the maximum burst rate should remain the same (3.9 fps on the EOS 5D Mark II and 6.
W hen PIC is enabled and data is contained within the camera for the lens in use, the right amount of correction is applied automatically to JPEG images at all aper tures and focal length settings. This correction is of the same nature as the corr ection available under the L ens Aberration Correction control panel in the DPP software.
High resolution, 3.0-in Cl ear View L CD The new 3.0-inch Clear V iew LCD found on both the EOS 50D and EOS 5D Mark II is a significant improvement over the 3.
Live View Shooting with AF In the EOS 40D, o nly Q uick Mode autofocus during Live V iew Function was available , and Live Vie w F unction itself wasn ’ t e ven possible on the EOS 5D.
Preci se 9-point AF Syst ems some cases, the largest face found in the scene and the camera focuses on that face (metering and color balance is also optimized to produce a more accurate facial tone based on the face in the box).
The AF system on the EOS 5D Mark II includes 9 visible AF points and six invisible assist points, for a total 15 points concentrated toward the center .
Impro ved Viewfinder Experience Rugged C o nstruction The optical viewfinders on both c ameras has been improved slightly , although the EOS 5D Mark II boasts the majority of changes.
Cosmetic changes on the EOS 50D include the addition of a sil ver coated Main Control dial with knurled wheel pattern, a classier paint finish overall and a modified rubber pad next to the grip.
Intuitive Button and Dial Arrang ement Increa sed Shutter Durability Nearly all of the external controls and buttons on the EOS 50D are the same as those found on the EOS 40D, with two exceptions. The main control dial now includes only two c amera user settings—one was deleted to make room for the Creative A uto activation setting.
Action-stopping Burst Mode UDMA C ompatibility HDMI C onnectivity remote operation is now possible with Canon ’ s small, affordable Wireless Remote Controllers RC-1 or R C-5. The optional Wireless Remote Controller RC-1 can be used to start and stop recording videos in addition to its normal still picture function.
W hen connected, the camera communicates with the display and determines its maximum resolution (many HDTVs actually support up to 720p resolution, while others deliver up to 1080p full resolution). Once the display resolution is identified, the c amera feeds it the right format signal so you get the maximum sharpness from the display .
38 IV . PERFORMANCE AND RELIABILIT Y Live V iew Function Canon ’ s spectacular Live V iew shooting is now available through most of the EOS Digital models. Live V iew Function, where the photographer can compose and shoot directly from the camera’ s LCD is an indispensable feature for cre ative photography in any number of situations.
39 V . C ONTROLS AND C ONVENIENCE.
Camer a Settings and Displays Cr eative Auto Mode The 35-zone metering sy stem, exposure contr ols, and white balance settings on the EOS 50D and EOS 5D Mark II are similar to those found on their pr edecessors. Data displays and menus var y depending on the model.
Exposure compensation and A uto Exposure Bracketing can now be set using the same screen, enabling you to quickly chec k the overall exposur e amount when combining both.
Image Qua lity C ontr ols Playbac k C ontr ols and Displays button, and the Direct print button changed to the Live View shooting/Print/S hare button. In addition, during video recording you can use the SET button to start or pause videos.
My Menu and User Settings Cu stom Function and C ontro ls Up to six frequently used menu items and Custom F unctions can be registered in the My Menu custom control.
AF Microadjustment positioned next to the left of the power switch on the camer a back. V ia the Custom F unction menu, you can assign a var iety of controls to that button (as you could on the EOS 40D’ s Jump button) inc luding LCD Brightness, Image Q uality , Exposure Compensation/AEB , Image Jump and Live Vie w F unction settings.
45 V . C ONTROLS AND C ONVENIENCE Shutter speed Aperture ISO speed Shooting mode Flash exposure compensation Picture Style White balance Metering mode Image-recording quality AF mode Drive mode Highli.
46 VI. INTELLIGENT BUNDLED SOF TWARE.
New Fe atures in EO S Utility and DPP Unlike many competitive DSLR models that come with only basic download and view so ft ware applications, both the EOS 5D Mark II and EOS 50D comes bundled with Canon’ s Digital Photo Professional (DPP) version 3.
48 VII. NEW AC CE S SORIES AND LENS ES.
EOS 50D: Batter y g r ip BG-E2N with Batter y Magazine BGM-E2 This optional grip is the same as the EOS 40D’ s, and was designed to extend shooting capacity and enable ver tical shooting.
Wirele ss File T ransmitt ers EOS 50D: Wireless F ile T ransmitter WF T -E3A* (fir mware version 2.0.0 or later required) This Wireless File T r ansmitter is the same model designed for the EOS 40D , .
Canon EF 24mm f/1.4L II US M lens This new wide-angle lens offers far more than a cosmetic makeover to the highly acc laimed EF 24mm f/1.4L USM lens it r eplaces, and it retains the distinction of being the brightest wide-angle L-series lens in its c lass.
52 VII. NEW AC CE S SORIES AND LENS ES Canon EF- S 18-200mm f/3.5-5.6 IS l ens This new high magnification, wide-to-telephoto E F-S zoom lens is the ideal kit lens for the EOS 50D, offer ing a 35mm equivalent focal length of 29mm to 320mm (11x), and featuring Canon ’ s advanced Optic al Image Stabilizer tec hnology .
The advanced Image Stabiliz ation system also senses camera motion and automatical ly optimizes the Image S tabilization for either normal shooting or panning (where vertical stabilization is applied, but hor izontal isn ’ t to allow for side-to-side panning).
54 VIII. SPE CIFICA TIONS.
Imaging Sensor Resolution: Sensor Size: Sensor T ype: Pixel Siz e: Lens f ocal length factor: Sensor Dust Remov al: Perform ance Maximum frames-per -second: Maximum Number of Frames / Burst: Shutter S.
Image Proc essor: File Numbering: Folders: Data V erific ation: Live View Function Viewing option s: Manual Focus: Auto Focus: Shutter Response in Live View: Silent Mode Live View Shooting: L CD Monit.
AF Modes: AF Sensitivity Range: AF Microadjustment: Exposure C ontrol Shutter Speeds: ISO Range: Auto ISO: Exposure Modes: Full Auto Modes: Metering: Metering Range: Exposure C ompensation: Auto Expos.
Built-in Fla sh: Sync C ontacts: Viewfinder Viewfinder: Viewfinder: Dioptric Adjustment: Image C ontrol C olor Space: White Balanc e: White Balanc e Correction: White Balanc e Brac keting: Picture Sty.
Direct Printing C ompatibility: C ompatible Imag es: Preview C ontrols on C amera’s L CD: C onnection to Printer: DPOF Imag e Marking: Power Supply Battery: Charger Unit: AC Adapter: Battery Grip: D.
60 VIII. SPE CIFICA TIONS Imaging Sensor Resolution: Sensor Size: Sensor T ype: Pixel Siz e: Lens f ocal length factor: Sensor Dust Remov al: Perform ance Maximum frames-per -second: Maximum Number of.
Image F ormat and Resolution Options: Analog to Digital Conversion: Image Proc essor: File Numbering: Folders: Data V erific ation: Movie Shooting and Playbac k Recording F ormat: Movie Rec ording Siz e: Frame Rate: Still C apture during Movie Shooting: Movie R etouching and Effects: 61 VIII.
62 VIII. SPE CIFICA TIONS Sound Rec ording: C ontinuous Movie R ecording Time: Focusing: Exposure: Movie Exposure C ompens ation: Movie AE Loc k: Movie Pl aybac k: Live View Function Viewing Option s:.
L CD Monitor L CD Monitor: L CD Monitor Brightness Levels: Panel C oating: Autofocus Syst em Number of AF P oints: AF Point Selection: AF Activation: AF Modes: AF Sensitivity Range: AF Microadjustment: 63 VIII. SPE CIFICA TIONS New Clear Vie w LCD monitor • 3.
Exposure C ontrol Shutter Speeds: ISO Range: Auto ISO: Exposure Modes: Full Auto Modes: Metering: Metering Range: Exposure C ompensation: Auto Exposure Brac ketin g: Automatic Imag e Correction T ools.
Viewfinder Viewfinder: Focus Screen(s): Eyepiec e Acc essories: Dioptric Adjustment: Viewfinder Blac kout: New Viewfinder Information: Image C ontrol C olor Space: White Balanc e: White Balanc e Correction: White Balanc e Brac keting: Picture Style: Interf ace C omputer Connection: Wireless T r ansmitter: 65 VIII.
66 VIII. SPE CIFICA TIONS Remote C ontrol: Audio/Video T erminals: Direct Printing C ompatibility: C ompatible Imag es: Preview C ontrols on c amera’s L CD: C onnection to Printer: DPOF Imag e Marki.
Body Exterior Material: Chassis Mater ial: Lens Mou nt: Lens C ompatibility: Operating T emperature Range: Operating Humidity: Dimension s (W x H x D): W eight (without battery or memory c ard ) : 67 VIII.
Optics Focal Le ng th: Optical c onstruction: Aspherical len s elements: Ultra-low Dispers ion glass elements: Multi-co ating: Aperture: Aperture ratio: Angle of v iew at infinity Diagonal (43.
69 VIII. SPE CIFICA TIONS EF- S 18-200mm f/3.5-5.6 IS Wide Angle- T elephoto Z oom lens Optics Focal Le ng th: Optical c onstruction: Aspherical len s elements: Ultra-low Dispers ion glass elements: M.
70 IX. FEA TURE C OMP ARISON CHAR T S.
71 IX. FEA TURE C OMP ARISON CHAR T S E OS 50D C omparison Ch art EOS 50D EOS 40D Nikon D300 Pentax K20D Sony A700 Olympus E-3 Imaging Sensor Effective Pixels 15.1 (4752 x 3168) 10.1 (3888 x 2592) 12.3 (4288 x 2848) 14.6 (4672 x 3120) 12.2 (4288 x 2856) 10.
72 IX. FEA TURE C OMP ARISON CHAR T S EOS 50D EOS 40D Nikon D300 Pentax K20D Sony A700 Olympus E-3 Exposure Control Metering Zones 35 1005 16 40 49 Metering Range EV 1 ~ 20 EV 0 ~ 20 EV 0 ~ 21 EV 0 ~ 20 Ev 0 ~ 20 Metering Modes Evaluative Matrix 16 se gment pattern Multi- segment Multi-patter Center W eighted Part ial (center , approx.
73 IX. FEA TURE C OMP ARISON CHAR T S E OS 5D Mark II C omparison Ch art EOS 5D Mark II EOS 5D Nikon D700 Nikon D3 Nikon D90 Sony A900 Imaging Sensor Effective Pixels 21.1 12.8 12.1 12.3 24.6 Image Sensor Canon CMOS Sensor CMOS CMOS Sensor Size 1x 24 x 36mm Full Frame 1x – in FX Mode 1.
74 IX. FEA TURE C OMP ARISON CHAR T S EOS 5D Mark II EOS 5D Nikon D700 Nikon D3 Nikon D90 Sony A900 Continuous Movie Rec ord Time Movie clips limited to 4GB in le ngth Approx.
75 IX. FEA TURE C OMP ARISON CHAR T S EOS 5D Mark II EOS 5D Nikon D700 Nikon D3 Nikon D90 Sony A900 Recording Media Media T ype CF Type I and II CF T ype I and II CF CF (2 – card slots) SD/SDHC CF ,.
76 X. C ONCL USION.
Canon ’ s EOS 5D Mark II and EOS 50D are two of the most refined photographic instruments available for serious photogr aphers. Y et, while both of these cameras share a multitude of high-performance features such as rugged, weather-r esistant bodies, super-sharp 3.
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Canon eos5d è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Canon eos5d - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Canon eos5d imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Canon eos5d ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Canon eos5d, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Canon eos5d.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Canon eos5d. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Canon eos5d insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
